Accepting Their Strangeness: The Sculptures of Clementine Barr


Likewise, Barr’s work has been influenced by her adult life. “My children also inspire me a lot,” Barr added. “My characters are sometimes photographed in their appearance, poses, reactions. I believe there is an important component of self-portraits in my characters.”

In constructing this fantastical world, Barr drew on personal influences while creating sculptures that reflected universal experiences. Her series of sculptures of pregnant women, such as “The Birth of a Child” and “The Deliciousness of a Child,” depict the tender intimacy of the parent-child relationship. Her sleeping creature sculptures capture the beauty of rest and sweet dreams. They fit in the palm of your hand.

Even in a static state, Barr’s sculptures can be very dynamic, such as “Sea Child III,” in which tentacles appear to flutter in the wind, and “Nebula,” in which clouds appear to float around a creature that appears to be actively meditating.

Characters in Barr’s early works often appear with their eyes closed. They often look like they are engaged in deep reflection. But recently, she has moved away from that style. “My most recent characters are opening their eyes to the world and accepting their strangeness,” Barr said. “I need to be relaxed and I want to have fun with them.”

Barr adds a pair of large, vibrant eyes that add a touch of playfulness to the character. They glance sideways at the viewer with a hint of irritation or frustration, widen their eyes with joy, and sometimes seem to cast mischievous glances at other characters.

Barr’s work begins on paper. “I start by filling out a sketchbook. I make some very small drawings, a few pencil lines,” she explains. “Then the materials I use vary depending on the shape and size of the piece I want to make. Sometimes I use plaster molded clay, sometimes sculpted polystyrene. Then, different layers of materials are layered on top of each other (resin, fiberglass, epoxy clay, putty, etc.) and sanded over a long period of time to soften the curves. Then comes the painting.”

I love coming back to this world of discovery, creation, play and strong emotions. I remember my favorite books, my comics, my joy, my fears, and my anger. “

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